Oscillation in brain activity influences listening process

Published on November 15, 2012 at 3:33 AM · No Comments

Listening abilities depend on rhythms in the brain

Naturally, our brain activity waxes and wanes. When listening, this oscillation synchronizes to the sounds we are hearing. Researchers at the Max Planck Institute for Human Cognitive and Brain Sciences have found that this influences the way we listen. Hearing abilities also oscillate and depend on the exact timing of one's brain rhythms. This discovery that sound, brain, and behaviour are so intimately coupled will help us to learn more about listening abilities in hearing loss.

Our world is full of cyclic phenomena: For example, many people experience their attention span changing over the course of a day. Maybe you yourself are more alert in the morning, others more in the afternoon. Bodily functions cyclically change or "oscillate" with environmental rhythms, like light and dark, and this in turn seems to govern our perception and behaviours. One might conclude that we are slaves to our own circadian rhythms, which in turn are slaves to environmental light-dark cycles.

A hard-to-prove idea in neuroscience is that such couplings between rhythms in the environment, rhythms in the brain, and our behaviours are also present at much finer time scales. Molly Henry and Jonas Obleser from the Max Planck Research Group "Auditory Cognition" now followed up on this recurrent idea by investigating the listening brain.

This idea holds fascinating implications for the way humans process speech and music: Imagine the melodic contour of a human voice or your favourite piece of music going up and down. If your brain becomes coupled to, or "entrained" by, these melodic changes, Henry and Obleser rea-soned, then you might also be better prepared to expect fleeting but important sounds occurring in what the voice is saying, for example, a "d" versus a "t".

The simple "fleeting sound" in the scientists' experiment was a very short and very hard-to-detect silent gap (about one one-hundredth of a second) embedded in a simplified version of a melodic contour, which slowly and cyclically changed its pitch at a rate of three cycles per second (3 Hz).

Read in | English | Español | Français | Deutsch | Português | Italiano | 日本語 | 한국어 | 简体中文 | 繁體中文 | Nederlands | Русский | Svenska | Polski
Comments
The opinions expressed here are the views of the writer and do not necessarily reflect the views and opinions of News-Medical.Net.
Post a new comment
Post